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	<title>Comments for Elsewhere</title>
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	<link>http://marcellodicintio.com</link>
	<description>The Website of Writer Marcello Di Cintio</description>
	<lastBuildDate>Mon, 07 May 2012 14:19:00 +0000</lastBuildDate>
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		<title>Comment on Considerably better digs&#8230; by Tyree</title>
		<link>http://marcellodicintio.com/2012/05/05/considerably-better-digs/#comment-821</link>
		<dc:creator><![CDATA[Tyree]]></dc:creator>
		<pubDate>Mon, 07 May 2012 14:19:00 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.com/?p=863#comment-821</guid>
		<description><![CDATA[Dust off the speedo Marchy!]]></description>
		<content:encoded><![CDATA[<p>Dust off the speedo Marchy!</p>
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		<title>Comment on Walls by Marcello Di Cintio</title>
		<link>http://marcellodicintio.com/walls-project/#comment-803</link>
		<dc:creator><![CDATA[Marcello Di Cintio]]></dc:creator>
		<pubDate>Tue, 17 Apr 2012 17:16:29 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.com/?page_id=211#comment-803</guid>
		<description><![CDATA[Thanks for dropping by, Pamela. And for the kind comment.]]></description>
		<content:encoded><![CDATA[<p>Thanks for dropping by, Pamela. And for the kind comment.</p>
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		<title>Comment on Walls by pamela</title>
		<link>http://marcellodicintio.com/walls-project/#comment-802</link>
		<dc:creator><![CDATA[pamela]]></dc:creator>
		<pubDate>Tue, 17 Apr 2012 17:00:36 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.com/?page_id=211#comment-802</guid>
		<description><![CDATA[Wonderful essay. I happened upon this while working on a school assignment. This line resonated with me especially: barricades function most-effectively as theatre, each projecting a sense of power and security they don’t, in fact, exercise.
Best of luck with your upcoming book.]]></description>
		<content:encoded><![CDATA[<p>Wonderful essay. I happened upon this while working on a school assignment. This line resonated with me especially: barricades function most-effectively as theatre, each projecting a sense of power and security they don’t, in fact, exercise.<br />
Best of luck with your upcoming book.</p>
]]></content:encoded>
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		<title>Comment on Biography by Giedre Steikunaite</title>
		<link>http://marcellodicintio.com/about/#comment-783</link>
		<dc:creator><![CDATA[Giedre Steikunaite]]></dc:creator>
		<pubDate>Sat, 24 Mar 2012 16:10:53 +0000</pubDate>
		<guid isPermaLink="false">#comment-783</guid>
		<description><![CDATA[That is a very good insight, Marcello. Another idea I want to explore a bit more is how the Walls (capital W intentional) become &quot;normalised&quot; in the public psyche - and once something is normalised, it is much easier accepted. That&#039;s when resistance starts fading away..]]></description>
		<content:encoded><![CDATA[<p>That is a very good insight, Marcello. Another idea I want to explore a bit more is how the Walls (capital W intentional) become &#8220;normalised&#8221; in the public psyche &#8211; and once something is normalised, it is much easier accepted. That&#8217;s when resistance starts fading away..</p>
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		<title>Comment on Biography by Marcello Di Cintio</title>
		<link>http://marcellodicintio.com/about/#comment-779</link>
		<dc:creator><![CDATA[Marcello Di Cintio]]></dc:creator>
		<pubDate>Thu, 22 Mar 2012 16:46:34 +0000</pubDate>
		<guid isPermaLink="false">#comment-779</guid>
		<description><![CDATA[Thank you, Giedre. Your work on walls sounds fascinating. As for public representation, I found it very interesting how outsiders respond to the walls in a completely different way than those who live alongside them. In the West Bank and Belfast, the walls are &#039;commodities&#039; for tourists and activists to consume. They are symbols more than structures. Their physical reality becomes secondary to what the walls &#039;mean.&#039; The locals, on the other hand, concern themselves with what the walls actually &#039;do.&#039;]]></description>
		<content:encoded><![CDATA[<p>Thank you, Giedre. Your work on walls sounds fascinating. As for public representation, I found it very interesting how outsiders respond to the walls in a completely different way than those who live alongside them. In the West Bank and Belfast, the walls are &#8216;commodities&#8217; for tourists and activists to consume. They are symbols more than structures. Their physical reality becomes secondary to what the walls &#8216;mean.&#8217; The locals, on the other hand, concern themselves with what the walls actually &#8216;do.&#8217;</p>
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		<title>Comment on Biography by Giedre Steikunaite</title>
		<link>http://marcellodicintio.com/about/#comment-778</link>
		<dc:creator><![CDATA[Giedre Steikunaite]]></dc:creator>
		<pubDate>Thu, 22 Mar 2012 10:36:00 +0000</pubDate>
		<guid isPermaLink="false">#comment-778</guid>
		<description><![CDATA[Hello Marcello,

I found your website while browsing for research. I&#039;m doing my BA dissertation on the Walls, their public representation to be exact. I&#039;m comparing three urban Walls - the Berlin Wall, Israel&#039;s Wall in occupied West Bank and the Peace Lines in Belfast. 

You&#039;re doing a great job documenting the world&#039;s Walls. Will keep an eye on your upcoming book! 

Best,
Giedre]]></description>
		<content:encoded><![CDATA[<p>Hello Marcello,</p>
<p>I found your website while browsing for research. I&#8217;m doing my BA dissertation on the Walls, their public representation to be exact. I&#8217;m comparing three urban Walls &#8211; the Berlin Wall, Israel&#8217;s Wall in occupied West Bank and the Peace Lines in Belfast. </p>
<p>You&#8217;re doing a great job documenting the world&#8217;s Walls. Will keep an eye on your upcoming book! </p>
<p>Best,<br />
Giedre</p>
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		<title>Comment on &#8220;You have to earn an ending.&#8221; by Hugh Cameron</title>
		<link>http://marcellodicintio.com/2012/02/20/you-have-to-earn-an-ending/#comment-764</link>
		<dc:creator><![CDATA[Hugh Cameron]]></dc:creator>
		<pubDate>Mon, 12 Mar 2012 18:15:11 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.com/?p=797#comment-764</guid>
		<description><![CDATA[Marcello there&#039;s a lot we can learn from wrestling. I was wondering if you could send me an  email to talk about how much you learned from one of your coaches Bert Joines.]]></description>
		<content:encoded><![CDATA[<p>Marcello there&#8217;s a lot we can learn from wrestling. I was wondering if you could send me an  email to talk about how much you learned from one of your coaches Bert Joines.</p>
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		<title>Comment on &#8220;You have to earn an ending.&#8221; by Mccrackin</title>
		<link>http://marcellodicintio.com/2012/02/20/you-have-to-earn-an-ending/#comment-735</link>
		<dc:creator><![CDATA[Mccrackin]]></dc:creator>
		<pubDate>Mon, 20 Feb 2012 20:42:10 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.com/?p=797#comment-735</guid>
		<description><![CDATA[Marcello- I need more info on Takhti.  Also I need to find a copy of the poem a contemporary Persian poet wrote about him.  Help me out, mate.]]></description>
		<content:encoded><![CDATA[<p>Marcello- I need more info on Takhti.  Also I need to find a copy of the poem a contemporary Persian poet wrote about him.  Help me out, mate.</p>
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		<title>Comment on A Nakba of Olives – an excerpt by &#8220;A courageous Palestinian has died, shrouded in stones&#8221; &#171; Elsewhere</title>
		<link>http://marcellodicintio.com/2010/01/07/a-nakba-of-olives-an-excerpt/#comment-612</link>
		<dc:creator><![CDATA[&#8220;A courageous Palestinian has died, shrouded in stones&#8221; &#171; Elsewhere]]></dc:creator>
		<pubDate>Tue, 13 Dec 2011 21:14:31 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.wordpress.com/2010/01/07/a-nakba-of-olives-an-excerpt#comment-612</guid>
		<description><![CDATA[[...] two years ago, I posted an excerpt from the West Bank chapter of my book-in-progress. The excerpt described my observations of [...]]]></description>
		<content:encoded><![CDATA[<p>[...] two years ago, I posted an excerpt from the West Bank chapter of my book-in-progress. The excerpt described my observations of [...]</p>
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		<title>Comment on Sounding the Wall by &#8220;It&#8217;s an industrially-produced medieval monster. However, I&#8217;m getting to know it.&#8221; &#171; Elsewhere</title>
		<link>http://marcellodicintio.com/2010/11/17/sounding-the-wall/#comment-535</link>
		<dc:creator><![CDATA[&#8220;It&#8217;s an industrially-produced medieval monster. However, I&#8217;m getting to know it.&#8221; &#171; Elsewhere]]></dc:creator>
		<pubDate>Mon, 07 Nov 2011 03:58:04 +0000</pubDate>
		<guid isPermaLink="false">http://marcellodicintio.com/?p=483#comment-535</guid>
		<description><![CDATA[[...] border sounds like. I played a &#8216;duet&#8217; with Glenn in Nogales, Arizona and wrote about it here. I also spoke about Glenn&#8217;s work during my TEDxCalgary [...]]]></description>
		<content:encoded><![CDATA[<p>[...] border sounds like. I played a &#8216;duet&#8217; with Glenn in Nogales, Arizona and wrote about it here. I also spoke about Glenn&#8217;s work during my TEDxCalgary [...]</p>
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